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| 14 | + <title>mice</title> |
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| 30 | + .shakespeare { |
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| 44 | +</head> |
| 45 | +<body id="essays"> |
| 46 | + <div class="content-wrapper"> |
| 47 | + <section class="writing"> |
| 48 | + <div class="top-bar"> |
| 49 | + <h1 class="header"> |
| 50 | + <a href="./secrets.html" class="simple-link"> |
| 51 | + <img class="header-img" src="assets/images/flower.svg"> |
| 52 | + </a> |
| 53 | + <a href="./writings.html" class="simple-link">writing</a> |
| 54 | + </h1> |
| 55 | + </div> |
| 56 | + |
| 57 | + <dl class="list"> |
| 58 | + <dt>Mice</dt> |
| 59 | + <dd class="list__item"> |
| 60 | + <p> |
| 61 | + Blood is renewed rhythmically. Like relay runners on a track, cells pass batons back |
| 62 | + and forth, from lungs to heart and outwards. Inhalation calls them back, resetting the |
| 63 | + race. The breath purifies the river of life, expelling the body's waste in spent sugar |
| 64 | + remains. The runners reset. Carbon removed, blood anew. |
| 65 | + </p> |
| 66 | + <p> |
| 67 | + The quiet heart. Its left atrium expands, inviting oxygen rich blood cells into the |
| 68 | + first room. The atrium contracts, opening the door to the left ventricle. Its muscles |
| 69 | + wrap the walls, waiting for the signal to open the gates. Onwards. A network of blood |
| 70 | + shoots upstream the tributaries of vasculo-muscular tissues, to the loneliest fractal |
| 71 | + ends of capillaries. Oxygen is released, the body rejoices, the blood becomes acrid |
| 72 | + with carbonic acid. The poor blood is pulled back through the veins and returns to its |
| 73 | + heart through the right side, atrium to ventricle and back to the sweet lungs. Carbon |
| 74 | + and oxygen swing in and out of the body like a lead and follow. Sugar and air for each |
| 75 | + moment of life. Her heart beats steadily 369 beats per minute. |
| 76 | + </p> |
| 77 | + <p class="shakespeare"> |
| 78 | + How sweet the moonlight sleeps upon this bank! Here will we sit and let the sound of |
| 79 | + music creep in our ears. |
| 80 | + </p> |
| 81 | + <p> |
| 82 | + On the workbench lies a clear plastic shoe box connected to a system of machines by |
| 83 | + two tubes. A gauge measures the amount of gas left in a canister of oxygen. A small |
| 84 | + device attached to the tank controls the flow of oxygen to the tube. The last machine |
| 85 | + whirls a solution into vapor, waiting to be misted in with the flow of air. The gauge |
| 86 | + off, such that the shoe box is solely filled with air. |
| 87 | + </p> |
| 88 | + <p> |
| 89 | + An assistant weighs the mouse. 21 grams. She is lifted into the box by the tail. The |
| 90 | + lid is sealed. Her fine whiskers brush each wall and corner, bending against hard |
| 91 | + plastic. She peers up at the assistant through the glass ceiling. |
| 92 | + </p> |
| 93 | + <p> |
| 94 | + He switches the gauge, to administer 4% concentration of vaporized Isoflurane. |
| 95 | + </p> |
| 96 | + <p> |
| 97 | + 20 seconds. Her attention is diverted to the smell emitted from a small circular vent; |
| 98 | + pungent and unpleasant. Pacing the room frantically, her body becomes excited, alert, |
| 99 | + unsteady. She can't keep upright. |
| 100 | + </p> |
| 101 | + <p> |
| 102 | + 56 seconds. Concentration is lowered to 2%. |
| 103 | + </p> |
| 104 | + <p> |
| 105 | + Lulled, she rests, drowsy, her heart beats 259 beats per minute. The assistant tilts |
| 106 | + the box. The body tumbles to one side. |
| 107 | + </p> |
| 108 | + <p class="shakespeare"> |
| 109 | + Soft stillness, and the night becomes the touches of sweet harmony. |
| 110 | + </p> |
| 111 | + <p> |
| 112 | + 1 minute, 45 seconds. The body is equilibrated with the inhalant, 2% Isoflurane. |
| 113 | + </p> |
| 114 | + <p> |
| 115 | + 2 minutes 20 seconds. The assistant turns the gauge and vaporizer off, and the chamber |
| 116 | + is filled with pure O2. The remaining inhalant exits to the waste evacuation system. |
| 117 | + Removing the lid, he holds her warm body. He pinches her foot. No response. Like |
| 118 | + threading a needle, he inserts a small cone into her nose, dispersing a light dose of |
| 119 | + the anesthetic to ensure she stays sedated. He places her back against the styrofoam |
| 120 | + board, pins her arms to the side, and her ankles to the base. |
| 121 | + </p> |
| 122 | + <p class="shakespeare"> |
| 123 | + Look how the floor of heaven is thick inlaid with patines of bright gold. There's not |
| 124 | + the smallest orb that thou beholst, but in his motion like an angel sings. Such |
| 125 | + harmony is in immortal souls. |
| 126 | + </p> |
| 127 | + </dd> |
| 128 | + </dl> |
| 129 | + </section> |
| 130 | + |
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